<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>moving uncertainly</title><generator>Tumblr (3.0; @saccade)</generator><link>http://saccade.tumblr.com/</link><item><title>"we have often seen claims to have decoded the mind which are essentially based on identifying simple..."</title><description>“we have often seen claims to have decoded the mind which are essentially based on identifying simple correspondences between scan results and an item of mental activity. The subject is shown a picture of, say, John Malkovich and scan results obtained: then from scan results the researchers succeed in telling with statistically significant rates of success the occasions when the subject is looking at the same picture of John Malkovich and not one of John Cusack. Voila! The secret language of the brain is cracked!  It is not shown that similar scan patterns can be obtained from other subjects looking at the picture of John Malkovich, or from the same subject looking at other pictures of John Malkovich, or thinking about John Malkovich, or even from the same subject looking at the same picture the next day. No general encoding of mental activity is revealed, no general encoding of visual activity, in fact we don’t even get for sure a general encoding of that particular picture of John Malkovich in that particular subject on that particular day. The only truth securely revealed is that if you have an experience and then soon afterwards another one just like it, you probably use quite a few of the same neurons in responding to it.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;small&gt;&lt;a href="http://www.consciousentities.com/?p=1073"&gt;http://www.consciousentities.com/?p=1073&lt;/a&gt;&lt;/small&gt;&lt;/em&gt;</description><link>http://saccade.tumblr.com/post/16878025679</link><guid>http://saccade.tumblr.com/post/16878025679</guid><pubDate>Wed, 01 Feb 2012 12:49:46 -0800</pubDate></item><item><title>I just hate the term &amp;#8220;apparent motion,&amp;#8221; whose existence in the jargon of its field does...</title><description>&lt;p&gt;I just hate the term &amp;#8220;apparent motion,&amp;#8221; whose existence in the jargon of its field does nothing but force me to write awkward doubletalk to avoid that collocation. As t turns out I am very concerned with the sensation of the appearance of visual motion, which ought to be called apparent motion &amp;#8212; the original meaning of the phrase &amp;#8212; to distinguish the sensation from the stimulus that might elicit it. Instead, &amp;#8220;apparent motion&amp;#8221; has ossified into a jargon, taken to refer to stimuli composed of discrete momentary images, lacking a continuous physical translation of the light-generating object. It is a phrase named after a sensation but understood as a type of stimulus. This is bonkers.&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/13869235929</link><guid>http://saccade.tumblr.com/post/13869235929</guid><pubDate>Wed, 07 Dec 2011 03:22:23 -0800</pubDate></item><item><title>There’s some peripheral drift illusion going on with this...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lvb0zywOhA1r3ranao1_500.gif"/&gt;&lt;br/&gt;&lt;br/&gt;There’s some peripheral drift illusion going on with this color scheme, but not in a coherent direction. Can we recolor or rearrange to make it stronger?

&lt;p&gt;&lt;a href="http://fuckyeahheptagons.tumblr.com/post/13398650275/goodman-strauss-7-fold-rhomb" class="tumblr_blog"&gt;fuckyeahheptagons&lt;/a&gt;:&lt;/p&gt;

&lt;blockquote&gt;&lt;p&gt;Goodman-Strauss 7-fold rhomb&lt;/p&gt;&lt;/blockquote&gt;</description><link>http://saccade.tumblr.com/post/13636302979</link><guid>http://saccade.tumblr.com/post/13636302979</guid><pubDate>Fri, 02 Dec 2011 07:59:27 -0800</pubDate></item><item><title>"A criticism of both the above dichotomies [i.e., short range vs. long range motion, and first vs...."</title><description>“A criticism of both the above dichotomies &lt;em&gt;[i.e., short range vs. long range motion, and first vs. second order motion]&lt;/em&gt; is that they reflect differences in the choice of stimuli, rather than qualitative differences in the underlying motion detection mechanisms. For example, much of the evidence for the existence of first-order and second-order mechanisms comes from comparing results from two types of stimuli: first, stimuli where the motion signal is carried by a spatio-temporal luminance correlation, and second, stimuli where motion is perceived in the absence of a luminance correlation, such as motion in a dynamic kinematogram  or an amplitude modulated grating. Similarly, there is a wealth of information and data thought to characterize the short-range process, where the stimuli are spatially dense and movement is across small spatial displacements, whereas the long-range process has been investigated by using movement of figural stimuli across large displacements.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;small&gt;J. C. Boulton and C. L. Baker, Jr. Diﬀerent parameters control motion perception above and below a critical density. Vision Res, 33(13):1803–11, Sep 1993. &lt;a href="http://www.ncbi.nlm.nih.gov/pubmed?term=8266636"&gt;Pubmed&lt;/a&gt;&lt;/small&gt;&lt;/em&gt;</description><link>http://saccade.tumblr.com/post/13628688847</link><guid>http://saccade.tumblr.com/post/13628688847</guid><pubDate>Fri, 02 Dec 2011 01:00:54 -0800</pubDate></item><item><title>"Crowding has usually been characterized by just one 
number, “critical spacing”, i.e., spacing..."</title><description>“Crowding has usually been characterized by just one &lt;br/&gt;
number, “critical spacing”, i.e., spacing threshold, the spacing &lt;br/&gt;
required to achieve a criterion level of performance. That &lt;br/&gt;
single number seems to be enough to characterize crowding &lt;br/&gt;
when the flanker is similar to the target, but may not &lt;br/&gt;
adequately describe the weaker crowding produced by &lt;br/&gt;
dissimilar flankers. Disentangling the amplitude and extent of &lt;br/&gt;
crowding demands a two-number description. The complete &lt;br/&gt;
‘psychometric function’, plotting proportion correct as a &lt;br/&gt;
function of spacing, tells us little more than the critical &lt;br/&gt;
spacing. Proportion correct has a small dynamic range &lt;br/&gt;
bounded by the floor at chance, when spacing is below &lt;br/&gt;
critical, and by the ceiling at 100%, when spacing is above &lt;br/&gt;
critical. To get the whole story, we must replace proportion &lt;br/&gt;
correct by a better dependent measure: threshold. To measure &lt;br/&gt;
threshold, one varies a physical parameter of the stimulus to &lt;br/&gt;
achieve a particular level of performance. Thus, threshold is &lt;br/&gt;
measured on a physical scale with a wide dynamic range. For &lt;br/&gt;
example, several studies have measured orientation &lt;br/&gt;
discrimination thresholds as a function of spacing. These plots &lt;br/&gt;
show that the weaker crowding produced by less-similar &lt;br/&gt;
flankers has much less amplitude (maximum threshold &lt;br/&gt;
elevation) but practically the same spatial extent.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Pelli D and Tillman K (2008) The uncrowded window of object recognition. Nature Neuroscience 11(10):1129-1135&lt;/em&gt;</description><link>http://saccade.tumblr.com/post/12981372094</link><guid>http://saccade.tumblr.com/post/12981372094</guid><pubDate>Fri, 18 Nov 2011 13:59:43 -0800</pubDate></item><item><title>elettrogenica:

Come funziona l’occhio, “Il secolo illustrato”,...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lojratkYBl1qd4993o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://elettrogenica.tumblr.com/post/7773756068"&gt;elettrogenica&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Come funziona l’occhio&lt;/em&gt;, “Il secolo illustrato”, 1936&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://saccade.tumblr.com/post/7934594490</link><guid>http://saccade.tumblr.com/post/7934594490</guid><pubDate>Fri, 22 Jul 2011 11:04:35 -0700</pubDate></item><item><title>Photo</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lkxwjpUBcP1qz4zz1o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://saccade.tumblr.com/post/5399853344</link><guid>http://saccade.tumblr.com/post/5399853344</guid><pubDate>Wed, 11 May 2011 14:13:53 -0700</pubDate></item><item><title>T. Lennert and J. Martinez-Trujillo. Strength of response...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lkuifzATgo1qzg2k6o1_r2_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;small&gt;T. Lennert and J. Martinez-Trujillo. Strength of response suppression to distracter stimuli determines &lt;br/&gt;
attentional-ﬁltering performance in primate prefrontal neurons. &lt;i&gt;Neuron,&lt;/i&gt; 70(1):141–52, Apr 2011. [&lt;a href="http://www.ncbi.nlm.nih.gov/pubmed/21482363"&gt;pubmed&lt;/a&gt;]&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;[for less ranty, try &lt;a href="http://www.research.ibm.com/dx/proceedings/pravda/truevis.htm"&gt;here&lt;/a&gt;.]&lt;/p&gt;

&lt;p&gt;Dear everyone who uses colormaps: The ‘jet’ colormap, the default colormap in MATLAB, is a perceptual disaster. STOP USING THAT SHIT. I mean, just what is happening in the lower right sector of these plots?&lt;/p&gt;

&lt;p&gt;Okay, more background. The scale is a raster of a modulation index (area under ROC, to be particular) for a group of neurons, plotted over the time from stimulus onset. The big salient feature of each plot is a yellow band. You see the yellow band because each raster plot sorts its neurons according to the “latency,” that is, the earliest time that the modulation passed some arbitrary threshold. Because that arbitrary threshold coincides with yellow, the highest-luminance value on the colormap, effectively the authors have chosen a computational and graphical procedure that says “Hey, sort my data that it makes a nice yellow stripe down the middle, NO MATTER WHAT THE DATA ACTUALLY CONTAINS.”&lt;/p&gt;

&lt;p&gt;And what is happening to the right of that stripe? Well, because your spatial resolution for chroma differences (and especially for blue) is much worse than that for luminance differences (which is why sane colormaps, that are not “jet”, always have a monotonic luminance component), you have to get your nose right up to the screen to decide that under the stripe is a pretty good mixup of blue and red and yellow — all over the scale. In other words, some of these cells are well modulated past where they pass the arbitrary threshold, but a lot of cells stop being modulated at all after they dinged the threshold. Which is conveniently difficult to discern due to the colormap — and kind of raises the question of how reasonable that threshold setting is, or the cell inclusion criteria are. &lt;/p&gt;

&lt;p&gt;We’ll just note in passing that the sorting is done separately for EACH subplot, so that row-by-row comparisons of the cells can’t be done, and the “neuron number” scale on the left is pretty much meaningless. Which also, by the way, fully undermines the claim that modulation for larger ordinal differences(*) happens faster.&lt;/p&gt;

&lt;p&gt;I hope you noticed after you got close up to the screen, that the dark red and dark blue values are a lot harder to distinguish than, say, the yellow-to-cyan colors that makes up the middle of the scale. You know, we should be easily able to see when things are at &lt;i&gt;opposite ends of the scale,&lt;/i&gt; right? I mean, if we’re &lt;i&gt;plotting our data&lt;/i&gt;, I mean.&lt;/p&gt;

&lt;p&gt;What kind of insane colormap has the property that values spanning the extreme ends of the scale stand out less, and can’t be distinguished as easily as values in the noisy middle? Why, it’s MATLAB’s default colormap, of course!&lt;/p&gt;

&lt;p&gt;You know, &lt;a href="http://had.co.nz/ggplot2/geom_tile.html"&gt;ggplot&lt;/a&gt; uses a much better preset for its color maps, as well as &lt;a href="http://had.co.nz/ggplot2/scale_brewer.html"&gt;better alternatives.&lt;/a&gt; Just sayin’.&lt;/p&gt;

&lt;p&gt;(*) You want to know the ironic punchline? This catastrophe is figure 4 of a paper ABOUT NEURAL PROCESSING OF ORDINAL COLOR SCALES. Seriously!&lt;/p&gt;

&lt;p&gt;&lt;small&gt;I’m not sure whether this belongs on the ranting-about-neuroscience blog, or the ranting-about-MATLAB blog. so it goes on both places.&lt;/small&gt;&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/5284695918</link><guid>http://saccade.tumblr.com/post/5284695918</guid><pubDate>Sat, 07 May 2011 15:04:00 -0700</pubDate></item><item><title>A Brief History of Optical Synthesis</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lksmi1K9ln1qzg2k6o1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;A Brief History of Optical Synthesis&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/5252863730</link><guid>http://saccade.tumblr.com/post/5252863730</guid><pubDate>Fri, 06 May 2011 14:32:23 -0700</pubDate></item><item><title>"Turing’s   contribution to  this   discussion  was  to  advocate the   use of gin,  which  he..."</title><description>“Turing’s   contribution to  this   discussion  was  to  advocate the   use of gin,  which  he said contained alcohol  and  water  in just   the   right proportions to  give a  zero temperature coefficient of propagation velocity at  room temperature.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;small&gt;Wilkes, Maurice V. Computers Then and Now. 1967 ACM Turing lecture. Journal of the  Association for Computing  Machinery, Vol.  18, No.  1, January  1968 [&lt;a href="http://portal.acm.org/citation.cfm?id=321440"&gt;acm.org&lt;/a&gt;]&lt;/small&gt;&lt;/em&gt;</description><link>http://saccade.tumblr.com/post/4011352471</link><guid>http://saccade.tumblr.com/post/4011352471</guid><pubDate>Mon, 21 Mar 2011 16:16:34 -0700</pubDate></item><item><title>Top Ten Visual Illusions of 2010</title><description>&lt;a href="http://illusioncontest.neuralcorrelate.com/cat/2010/"&gt;Top Ten Visual Illusions of 2010&lt;/a&gt;: &lt;p&gt;overdue vanity post&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/2439989358</link><guid>http://saccade.tumblr.com/post/2439989358</guid><pubDate>Thu, 23 Dec 2010 19:17:52 -0800</pubDate></item><item><title>Upper D. The unsuccessful self-treatment of a case of...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_ldwwttySca1qzg2k6o1_500.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;small&gt;Upper D. The unsuccessful self-treatment of a case of “writer’s block”. J Appl Behav Anal. 1974 Fall; 7(3): 497. &lt;a href="http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1311997/?page=1"&gt;Pubmed&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/2439893542</link><guid>http://saccade.tumblr.com/post/2439893542</guid><pubDate>Thu, 23 Dec 2010 19:10:41 -0800</pubDate></item><item><title>Photo</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lazc3uR9MW1qe2mq3o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://saccade.tumblr.com/post/2423706453</link><guid>http://saccade.tumblr.com/post/2423706453</guid><pubDate>Wed, 22 Dec 2010 17:41:00 -0800</pubDate></item><item><title>Dark Star, 1974</title><description>&lt;embed style="width:400px; height:300px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=961917438060678292" flashvars="" wmode="transparent"&gt; &lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;small&gt;&lt;i&gt;Dark Star&lt;/i&gt;, 1974&lt;/small&gt;&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/1476901543</link><guid>http://saccade.tumblr.com/post/1476901543</guid><pubDate>Wed, 03 Nov 2010 21:35:00 -0700</pubDate><category>fgsfds</category></item><item><title>shaggy dog joke</title><description>&lt;p&gt;Yesterday&amp;#8217;s seminar was comically interrupted by a fire alarm just before the punchline, and we are left wondering whether awake mice demonstrate the ability to discriminate at a precision of ~10ms the onset asynchrony of a channelrhodopsin-mediated burst of blue light applied to the optic bulb relative to inhalation onset, or not.&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/1300828063</link><guid>http://saccade.tumblr.com/post/1300828063</guid><pubDate>Tue, 12 Oct 2010 14:00:35 -0700</pubDate></item><item><title>Wandering around the twenty-year-old papers again trying to find out if anyone measured the...</title><description>&lt;p&gt;Wandering around the twenty-year-old papers again trying to find out if anyone measured the variation of contrast sensitivity with spatial frequency and retinal eccentricity &lt;i&gt;for moving gratings&lt;/i&gt;.&lt;/p&gt;

&lt;p&gt;Banks et al &lt;small&gt;M. S. Banks, A. B. Sekuler, and S. J. Anderson. &lt;a href="http://www.ncbi.nlm.nih.gov/pubmed/1744774"&gt;Peripheral spatial vision: limits imposed by optics, photoreceptors, and receptor pooling&lt;/a&gt;. J Opt Soc Am A, 8(11):1775–87, Nov 1991.&lt;/small&gt; did it for stationary Gabor patches, but Anderson et al. &lt;small&gt;S. J. Anderson, D. C. Burr, and M. C. Morrone. &lt;a href="http://www.ncbi.nlm.nih.gov/pubmed/1919837"&gt;Two-dimensional spatial and spatial-frequency selectivity &lt;br/&gt;
of motion-sensitive mechanisms in human vision.&lt;/a&gt; J Opt Soc Am A, 8(8):1340–51, Aug 1991.&lt;/small&gt; claim that the motion sensitive channels are different. On the plus side, Watson and Ahumada &lt;small&gt;A. B. Watson, A. J. Ahumada, Jr., and J. E. Farrell. &lt;a href="http://josaa.osa.org/abstract.cfm?URI=josaa-3-3-300"&gt;Window of visibility: a psychophysical theory of &lt;br/&gt;
ﬁdelity in time-sampled visual motion displays.&lt;/a&gt; J. Opt. Soc. Am. A, 3(3):300, 1986.&lt;/small&gt; suggest that temporal frequency doesn&amp;#8217;t really make a difference (and in the present data, it doesn&amp;#8217;t make a difference, that much at least is clear.)&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/934765118</link><guid>http://saccade.tumblr.com/post/934765118</guid><pubDate>Tue, 10 Aug 2010 19:01:34 -0700</pubDate></item><item><title>"You need only go back to your chambers, Your Honor, and pull down any dictionary, pull down any book..."</title><description>“You need only go back to your chambers, Your Honor, and pull down any dictionary, pull down any book that discusses marriage….”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;p&gt;&lt;small&gt;Charles Cooper, in closing, resorting to the first argument of the ignorant.&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;It takes no small feat of question begging to insist that the “meaning” of a symbol follows, Ouroboros-like, from a book whose purpose is to &lt;i&gt;document usage&lt;/i&gt;. No, but the problem is bigger than this chicken and egg.&lt;/p&gt;

&lt;p&gt;It isn’t just that what I’ve said before, the suggestion of looking in a dictionary in lieu of any sort of evidence is a prima facie indication that the person making the suggestion &lt;i&gt;does not himself know&lt;/i&gt; what the word means. If he knew &lt;i&gt;what a word referred to&lt;/i&gt;, he would be able to point to a correspondence with reality, to give a procedure by which one could map the arbitrary sign to an instance.&lt;/p&gt;

&lt;p&gt;There are, indeed, procedures by which you can obtain knowledge! If you look for phlogiston in a dictionary you will find a thing purporting to be meaning. Look for phlogiston in the world, and you eventually find a lack of meaning. &lt;small&gt;Phlogiston. Why did it have to be phlogison?&lt;/small&gt; Independently of what a dictionary might say, the world exists, and you can ask questions of it. Looking in a dictionary, for instance, is a good procedure for asking the world “what did a lexicographer decide to write in a dictionary?”&lt;/p&gt;

&lt;p&gt;It isn’t just that he doesn’t know what a particular word means, that he cannot connect it to any sort of thing that &lt;i&gt;exists&lt;/i&gt;, as a referent. It’s deeper than that.&lt;/p&gt;

&lt;p&gt;It’s that he doesn’t know what words &lt;i&gt;are.&lt;/i&gt;&lt;/p&gt;&lt;/em&gt;</description><link>http://saccade.tumblr.com/post/707304796</link><guid>http://saccade.tumblr.com/post/707304796</guid><pubDate>Thu, 17 Jun 2010 00:38:54 -0700</pubDate></item><item><title>Mark Goetz via Cozma Shalizi</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_kzo9u5vcN41qzg2k6o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;small&gt;&lt;a href="http://markandrewgoetz.com/blog/index.php/2009/11/my-new-wallpaper/"&gt;Mark Goetz&lt;/a&gt; via &lt;a href="http://www.cscs.umich.edu/~crshalizi/weblog/"&gt;Cozma Shalizi&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/465184641</link><guid>http://saccade.tumblr.com/post/465184641</guid><pubDate>Mon, 22 Mar 2010 00:22:53 -0700</pubDate></item><item><title>Luke Surl Comics, Calvinism</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_kzeeyqrJ3Z1qzg2k6o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;small&gt;Luke Surl Comics, &lt;a href="http://www.lukesurl.com/archives/1243"&gt;Calvinism&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/453156592</link><guid>http://saccade.tumblr.com/post/453156592</guid><pubDate>Tue, 16 Mar 2010 16:37:38 -0700</pubDate></item><item><title>Metamorphose by Frederic Fontenoy, 1988 - 1990 (via Acephalous)</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_kw5sdmHmNm1qzz9uzo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;small&gt;&lt;i&gt;&lt;a href="http://www.fredericfontenoy.com/Site/Metamorphose.html"&gt;Metamorphose&lt;/a&gt;&lt;/i&gt; by &lt;a target="_blank=" href="http://www.fredericfontenoy.com/"&gt;Frederic Fontenoy&lt;/a&gt;, 1988 - 1990 (via &lt;a href="http://acephalous.typepad.com/"&gt;Acephalous&lt;/a&gt;)&lt;/small&gt;&lt;/p&gt;</description><link>http://saccade.tumblr.com/post/420633233</link><guid>http://saccade.tumblr.com/post/420633233</guid><pubDate>Mon, 01 Mar 2010 14:49:00 -0800</pubDate></item></channel></rss>
